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TITANS ON THE FLOOR
Television Argentina, for the stubbornness of the millionaire Yankelevich of honoring the memory of deceased son, was a pioneer. In the early fifties Perón convinced of the advantages of the medium and introduced in 1951. That
TV in modest black and white and devoid of sophisticated resources, survived with only one channel in the classic powerful Buenos Aires.
And here in the capital, had to wait 9 years only, until the birth of "competition", the ingredient of capitalism that seems to improve or worsen the issue, according to the crystal is analyzed.
This means that sixty tv Argentina is refunded. And most of the tics that adopted the half came from there: from the goats or kiosks (now institutionalized with formal commercial value as NTP), the soap operas (of great commercial value in all markets by the high use of snakes, such resources used more brazen once to justify from revivals to existence of hidden twins or blood ties impossible), the imposition of entertainment as the core of communication and, perhaps most important and profitable end-use of the characters as scripted and hidden forms of what is often aired.
And the basis for this TV today as current and visible in grimaces as the naive character string and Susan good-natured, mischievous blonde Mariana Fabbiani, the octogenarian package and self-assigned judge on the reality of Mirtha (and many more that all know) and reaches its peak in the assembly surreal Tinelli achieved with judges, participants, guests and public participants cool the verge of delirium more.
But: Where was this? Who was his creator? "Stivel, Ibáñez Menta, Romay, Goar Mestre?
No: Martin Karadagián.
Martin had the clarity to move a successful show of classic American mass audience (those "Simpsons" and comehamburguesas tomacervezas paunchy): the "catch as catch can" or you can grab as a bizarre variant of wrestling, mixed with show the box, categorized and highly regulated sport.
The "catch" (the name that landed here) watered down into the American comic, filled with colorful costumes mythical heroes masks and suggestive. Karadagián
criterion had the excellent marketer to become known throughout the interior since the fifties, along with what he called sport. Buenos Aires
In the sixties, village and punished by military dictatorships, it opened three new private channels were launched to compete ruthlessly with channel 7, then very good products and stable staff. Were 9 new, national industrial venture with NBC, the 11 that had to leave at the last minute with capital Vatican and ABC, and 13 of the Cuban exile Goar Mestre associated with the powerful CBS.
born is the time the ratings, and the triumph of 13 products Seeing robust as Biondi, El Club del Clan, El Show de Antonio Prieto or four men to Eva.
is the time when the city stops Masterpieces of Terror (the day that emit low attendance at theaters and cinemas), or left for lunch and a nap to see the guests of Saturday Circulars, products Channel 9, which gave battle to improve its ranking. That
Karadagián Martin we were talking about before you decide to offer this channel offering an unusual show for the environment, and less on primetime: Titanes. Its structure consisted of:
Mounting a ring box similar to a study, with bleachers for the audience, which are mounted to catch matchs.
The program has as central a script. with the participation of a group of athletes that characters act and live a catch of course world championships.
The staff would be completed by referees, entertainers, broadcasters, and assistant public. All scripted.
is assumed that MK is the current world champion, which all try to snatch the crown. Although never very clear what is the order and logic of the meetings, or when it will end the championship. Or rather end up with the new triumph of MK, you should always be the champion of the world.
And as in The War of the Worlds by Orson Welles radio people thought Martians and actually walked the streets of New York, many locals believed then that the world championship of catch was living in Buenos Aires.
Over the years, and the interference and refinement of marketing resources, Titanes was doubling the bet: the bad guys were very cruel, the good guys were really good, the advertising was monopolizing the bus stop (I remember the fighter Yolanka marks a yoghurt fashion then), histrionic resources improved (a wizard always spent a block of ice to show that in the dressing room was needed to appease the injuries of fighters), the famous involved (the brother of a European princess, Alberto Olmedo on his character Captain Kennedy, etc.). In conclusion, the entire staff Argentina shot a film of the era, in which dictatorships and his ministers chupacirios only allowed this type of movie laundering "critical." Titanes
would become the final model of what would be future television in Argentina: through a script with characters that simulate realism, anything was possible to construct, from a fight to an exchange of views with discussion from a tie-up operation, misunderstandings, indifference, reunions and regrets and love affairs: in short, the circus, according to the TV, it seems life.
is that this is the TV, and that's what viewers are looking for that rather than worry where the National Geograhic channel, wants to have fun with the last joke Cordoba or a nice pair of tits for some new dance moves.
highest-rated programs of the TV today are:
Big Brother: it contains a group of people and surrounds of MUUCHASS cameras. Apart from exploiting the viewer's voyeuristic desire, the desire for fame exploits of a group that is able to do anything to be famous to leave. Characters are not created because it exploits and the natural ability of being each in itself a character.
Showmatch: Titanes is no shock.
Susana Giménez is on the Titans Ring in some glamorous costumes and makeup.
That's right: the political agenda disappeared with his show apart, its hidden and its tempting NTP and traditional envelopes of cash to drivers. They are in the cable, a guarantee that nobody sees.
The Titans are now there on the floor. There is no ring.

Film Salieri Mario Streaming

CLAN CLUB AND THE NEW WAVE WERE A PHILOSOPHY
When viejardos remember El Club del Clan, we support all around a series of reviews of all types:
* But what you talk?
* Phew, that was not music.
* All singing covers.
* It was a commercial invention sold well.
* Not even transcended.

All this is partly true and partly not. But we will divide this essay between what was "New Wave" and that television program record label, which became an essential part of an emergence of young singers in the world of national spectacle.
Until the late fifties, folk music Argentina had three important aspects: the tango, folklore (by then it was said folklore) and world music (Latin jazz). But in 1955, from the United States advanced a new trend so strong that today continues to prevail about the music popular around the world: rock and roll.
rock wave in Argentina codend to many young people began to cultivate the music of all idols, Little Richard, Guy Mitchell, Jerry Lee Lewis, and especially the two great: Bill Haley and Elvis Presley. For some reason
market expansion, however, the writers (who were those who decided) that they came to adapt native music artists, in English and then in Castilian.
late fifties figures had appeared as Mr. Rolls and Rockets, with the voice of Eddie Little Ones, but soon grew voices in English: Babie Bell, Elder Barber, Rocky Pontoni, Luis Aguilar, and first great idol of crowds: Billy Cafaro. Showed that it was getting good for the extensive introduction of national heroes. Two struts
movement would launch the great Argentine pop: Dino Ramos representative and the manager of RCA Victor, the Mexican Ricardo Mejia. It was very simple: leveraging a group of young men who sought to sing through a television program, when private television that was installed with everything in the country, and television sets were selling like hotcakes. The rest of the record labels (EMI Odeon, CBS, Columbia, Argentina Music Hall, Philips) had to leave the intersection with its proposals, quite similar: many idols jóvenes. Y todo el panorama artístico acompañó: las emisoras de radio con sus programas, el cine, los shows y espectáculos danzantes.
Eso fue la “nueva ola”: la aparición y multiplicación de la música pop en nuestro país, desplazando a la de origen nativo. Y para siempre.
Habrás visto que a esto en el título le llamo haber sido una filosofía. ¿Capricho arbitrario? No. Es que Mejía cambió el mercado musical de la Argentina, sólo queriendo aportar más guita a sus patrones. Creó el gusto musical por las letras en idioma español, las voces en castellano autóctono y descubrió talentos a un nivel impensado: Palito Ortega fue gobernador de su provincia, national minister, candidate for vice president in the nation, cinema and music producer, actor, film director, prolific songwriter and father of actors, filmmakers, singers, writers and producers.
recorders managers wanted to sell more albums and they did. Inadvertently created a musical movement, invented teen idols internationally valid as Sandro, Leonardo Favio, Piero, Leo Dan, Pink Floyd, The Cardigans, or Barbara and Dick. Continued in the country with the pop craze started in the 40 with Sinatra, and followed with Presley in the 50 and 60 with the Beatles and Rolling Stones.
This philosophy is continued from the 70 national rock bands, great dimensions as Vox Dei, Manal, or Almond, in 80 with Seru Giran or High, at 90 to Soda Stereo.
Although the idea was to bring more profits to big companies.